Export approach to filmmaking assignments
Cinematic Craftsman
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Creative conceptualization
Our experts explore go beyond conventional approaches to
incorporate cultural innovation in your filmmaking assignments to make a more
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aesthetics. We ensure that our students expect assignments that not only
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Industry integrated insights
The filmmaking assignment thrives on industry integrated
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while ensuring that your assignment reflect a deep understanding of updated
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Thorough analysis and critique
The filmmaking assignments attempted at express assignment
are grounded in thorough analysis and critique. Our export incorporate
constructive feedback at the end of your assignment which helps the students to
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Library of cinematic knowledge
We commit to bring only authentic sources to your filmmaking
assignments to reflect an extensive library of cinematic knowledge which
provides you a strong basis of filmmaking. Some foundational texts for
undergraduate students to advance researches publication for PhD levels our
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Customized solutions across academic levels
Express assignment offers you a tailored approach to your
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basics of filmmaking or a PhD candidate who is willing to engage into Advanced
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Interactive learning resources
Express assignment is a hub for interactive learning
resources in filmmaking beyond assignment assistance. Our experts engage in
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Undergraduate Level:
- "In
the Blink of an Eye" by Walter Murch:
- A
foundational text exploring the art of film editing, providing insights
into the nuances of pacing, rhythm, and visual storytelling.
- "Story"
by Robert McKee:
- A
must-read for aspiring screenwriters, delving into the principles of
storytelling, character development, and narrative structure.
- "The
Filmmaker`s Handbook" by Steven Ascher and Edward Pincus:
- An
essential guide covering all aspects of filmmaking, from pre-production
to post-production, offering practical tips and techniques.
Post-graduate and MPhil Level:
- "Inventing
Reality: The Politics of News Media" by Michael Parenti:
- Explores
the intersection of media, politics, and documentary filmmaking,
providing critical perspectives on the role of film in shaping public
opinion.
- "Sculpting
in Time" by Andrei Tarkovsky:
- A
profound exploration of the philosophical and artistic aspects of
filmmaking by the legendary director, offering insights into his
cinematic philosophy.
- "The
Oxford History of World Cinema" edited by Geoffrey Nowell-Smith:
- A
comprehensive survey of global cinema, providing historical context and
critical analysis of films from various cultures and time periods.
Ph.D. Level:
- "Film
as Philosophy" by Rupert Read and Jerry Goodenough:
- Explores
the philosophical dimensions of cinema, addressing complex themes and
theories that form the basis of cinematic discourse.
- "The
Language of New Media" by Lev Manovich:
- An
in-depth examination of the impact of digital technologies on the
language and aesthetics of contemporary cinema, ideal for researchers
exploring the intersection of technology and film.
- "Post-Theory:
Reconstructing Film Studies" by David Bordwell and Noël Carroll:
- A
critical exploration of film theory, offering a nuanced perspective on
the evolution of film studies and the relevance of various theoretical
frameworks.
